Yesterday we finished a delicate, demanding, and very rewarding project: Relocating an extensive 20-foot-long, 8-foot-high crystal Donor Wall, which we created in 2002-2003, to the second story of the elegant and airy new lobby of the University of Utah Hospital’s vastly expanded patient care pavilion.
In addition, we installed a “sister” Donor Wall (above) to honor the generous people who helped fund the new lobby. In creating this new wall, we used the same materials –- carved crystal and gold-leafing -– the same theme and the same design vocabulary so that the two walls would have artistic unity.
The theme we carried over into the new Donor Wall is the aspen tree, which, besides being beloved in the Salt Lake City area, is symbolic of deep cooperation. A quotation on the original wall expresses it perfectly:
In fact, the original Donor Wall included the names of some 2,800 donors! Every single person who made a donation, from local philanthropists to the hospital janitor, was listed.
We also did a moving job (no pun intended) on a Tribute we created in 2003 for George and Dolores Dore Eccles. The Tribute uses formal, contemporary photos of the donors etched into a carved crystal panel that floats over a second crystal panel, which shows a warm and inviting image of the couple dancing together when young.
Note: The University of Utah Hospital’s new lobby is featured in a fascinating article in Medical Construction & Design magazine about the important role lobbies play in providing visitors with a warm and reassuring welcome. This is even more vital at the University of Utah Hospital, where some 10,000 people enter the lobby every day! Labels: Donor Walls, installation, media coverage, photo etching, relocation of art glass, symbolism, University of Utah
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