AUTHOR: Margot Silk Forrest
TITLE: A Pause for Thought
DATE: 7/22/2010 01:00:00 AM
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BODY:
On Saturday we begin our Studio’s annual two-week summer closure, a time for the entire staff to rest, renew, refresh, and think deeply about the meaning of what we do. Sometimes in the rush of day-to-day deadlines -– we just completed shipping six different Donor Recognition projects! –- we have to stay focused on the details to get everything done.
But when we have a chance to step back and breathe, we always remember the big picture. Let me tell you a story that speaks to this.
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Watercolor of St. Paul’s Cathedral by Thomas Hosmer Shepherd
In 1666, the Great Fire of London destroyed most of the city and reduced its venerable Old St. Paul’s Cathedral to charred timber and rubble. The famous architect Sir Christopher Wren was hired to design a new church. After many plans and revisions, construction finally began in 1677. Thomas Strong, Wren's master stonemason, laid the first stone of the new cathedral.
Christopher Wren’s plans for the dome of St. Paul’s
One day Sir Christopher was surveying the progress the men were making. He stopped at one stonecutter and asked him what he was doing.
“I’m cutting blocks of stone,” the man said, a bit testily. “Each one the same as the next. And the next. And the next. Every bloody stone just exactly the same.”
Sir Christopher wisely moved on. He approached a second stonecutter and asked the man what he was doing. “Why, I’m earning a living to feed my family,” he replied, apparently puzzled that anyone, least of all the boss, should need to ask.
Then Sir Christopher spotted a third stonecutter, very intent on his work. “What are you doing, good sir?” asked the architect.
The man looked up at him. He was covered with stone dust and his hands were heavily callused. He looked tired, but he looked satisfied, too.
“I am building a monument to the glory of God,” he said.
The joy and satisfaction we take in our work depends in large part on the context in which we hold that work. For me, designing and carving architectural art glass is not just about sandblasting tiny lines and curves into panels of crystal, or even about running a successful small business in a field I love.
It’s about creating timeless works of art that deeply honor the donors, institutions and staff members who are making vital and heartfelt contributions toward the betterment of our world. I myself feel honored to be a part of their endeavors.
And that’s what I’ll be thinking about in the coming two weeks as I rest, relax and refresh my energies for an exciting autumn in the Studio. We'll be back at work on Monday, August 9, ready to hear about your new projects!
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AUTHOR: Margot Silk Forrest
TITLE: A Very Moving Day
DATE: 7/16/2010 03:25:00 PM
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BODY:
Yesterday we finished a delicate, demanding, and very rewarding project: Relocating an extensive 20-foot-long, 8-foot-high crystal Donor Wall, which we created in 2002-2003, to the second story of the elegant and airy new lobby of the University of Utah Hospital’s vastly expanded patient care pavilion.
In addition, we installed a “sister” Donor Wall (above) to honor the generous people who helped fund the new lobby. In creating this new wall, we used the same materials –- carved crystal and gold-leafing -– the same theme and the same design vocabulary so that the two walls would have artistic unity.
The theme we carried over into the new Donor Wall is the aspen tree, which, besides being beloved in the Salt Lake City area, is symbolic of deep cooperation. A quotation on the original wall expresses it perfectly:
"Like a grove of aspens, all seemingly separate trees
but in reality united beneath the soil,
we are all members of a single family,
the family of humankind."
MARGOT SILK FORREST
This quote also speaks to the diversity of people needed in a facility of this stature –- donors, medical professionals, support staff and volunteers –- and the dedication to helping others that unites them.
In fact, the original Donor Wall included the names of some 2,800 donors! Every single person who made a donation, from local philanthropists to the hospital janitor, was listed.
The hospital’s new Donor Wall is 10 feet wide by 6.5 feet tall, and is located in a very prominent position, at the top of the escalator leading to the second floor of the beautiful 40-foot-high atrium. It is the first thing you see as you get off the escalator. In addition to the artwork and donor names it has some lovely inspirational quotes, including this one, which really touches my heart.
"We are the leaves of one branch,
the drops of one sea, the flowers of one garden."
JEAN BAPTISTE HENRY LACORDAIRE
From left, Charly, Joe and Jason insert panels into custom brackets
We were delighted to hear that the original Donor Wall was being retained despite all the new construction. As architectural artwork, it is so very unique and interesting. It has stood the test of time as a permanent monument and is well worth the effort of moving it. In addition, as the Major Gifts Officer we originally worked with pointed out to me yesterday, once you promise a donor that they will be permanently recognized, it’s crucial to keep that promise, even if the existing building undergoes renovation.
We also did a moving job (no pun intended) on a Tribute we created in 2003 for George and Dolores Dore Eccles. The Tribute uses formal, contemporary photos of the donors etched into a carved crystal panel that floats over a second crystal panel, which shows a warm and inviting image of the couple dancing together when young.
This is one of my favorite Donor Tributes because it shows the two philanthropists as real people loving and enjoying their lives -– what a cheerful sight for any hospital passerby whose load may need lightening.
Note: The University of Utah Hospital’s new lobby is featured in a fascinating article in Medical Construction & Design magazine about the important role lobbies play in providing visitors with a warm and reassuring welcome. This is even more vital at the University of Utah Hospital, where some 10,000 people enter the lobby every day! Labels: Donor Walls, installation, media coverage, photo etching, relocation of art glass, symbolism, University of Utah
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AUTHOR: Margot Silk Forrest
TITLE: Keeping It Simple
DATE: 6/29/2010 10:34:00 PM
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BODY:
Harmony and grace…depend on simplicity.
PLATO
Although we pride ourselves on our multi-piece, highly artistic donor walls and art glass murals, sometimes a client comes to us seeking something more modest, but still elegant and eye-catching.
At the recent show of the American Association of Museums, several visitors to our booth were captivated by a photograph of our own Amri Studio Wall of Honor. They were drawn to how simple and flexible, yet sophisticated, such a wall can be. It glows with the soft, white-on-white look of alabaster.
New names can be easily added -– indeed, entire rows or columns of plaques can be attached when the need arises. As one museum executive remarked, “Names can be removed, too.” This would be useful if you were honoring an employee of the year, for example.
Artwork for the Miami Alumni wall
We are currently doing a Donor Wall like this for the new Robert and Judi Prokop Newman Alumni Center at the University of Miami. In addition to the carved crystal plaques with donor names, we are etching their beautiful hand-drawn architectural rendering into the frosted background to tie all the names together.
Our own Amri Studio Wall of Honor recognizes and thanks people who have made significant longtime contributions to our Studio’s success. It consists of 32 glass plaques (for now) lit by MR16 halogen spotlights.
The text is deep V-carved and certain words are filled with with copper- and gold-leafing. The text highlights names, awards the Studio has won and inspiring quotations. Each crystal plaque is 8.5 x 6.5” and held in place by cylindrical museum-mount hardware custom machined for us in brushed steel.
We did a comparable Employee Recognition wall for the high-tech giant Raychem. We consulted on and fabricated this Technical Hall of Fame with Mark Anderson Design Group (now Anderson Anderson Architects of San Francisco and Seattle), who created the design.
The wall consists of elegant, interchangeable and updateable crystal plaques with honorees’ names interspersed with inspirational quotations and artistically carved department icons.
You can see the scale of the beautiful 3-D V-cut letterforms by the life-sized pencil pointing at the word INNOVATION, a key word for the team at Raychem.
Labels: Donor Walls, Employee Recognition
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AUTHOR: Margot Silk Forrest
TITLE: Two Great Shows
DATE: 5/31/2010 10:57:00 AM
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BODY:
I recently got back from two exciting trade shows, one in Los Angeles and one in Washington, D.C.
The American Association of Museums Show, held in L.A., is attended by museum curators, designer, architects and fundraisers from all over the world. We talked to some fascinating people, including two young women from the Mongolian Art Museum in Ulan Bator who are looking at developing international financial support for a museum that would preserve their amazing cultural heritage.
The second show was the annual convention put on by SEGD, the Society for Environmental Graphic Design. This group is a global community of people who are "working at the intersection of communication design and the built environment."
Their members, including our Studio, create environmental graphics such as donor recognition (like our 3-D crystal tribute to the Ginsburg family at Florida Hospital, above), wayfinding systems, architectural graphics, signage, exhibit design, and retail and store design.
It's a talented group of people and I got to meet them and take in lots of great ideas, products, and designs.
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AUTHOR: Margot Silk Forrest
TITLE: Designing Deep Meaning Into Donor Art
DATE: 5/14/2010 12:10:00 AM
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BODY:
"Real art -- as opposed to decorative art -- touches the soul and reaches the viewer emotionally. It expresses energy, life force, and has deep spiritual meaning that can help the viewer transform pain and suffering to reach a higher state of consciousness."
When my team of graphic designers and I begin a carved crystal Donor Wall, we approach the work as artists. We are not looking to create something that is merely pretty. We are creating real art, so we start by focusing on the deep meaning of the piece, and we choose for images and symbols that will convey that meaning. Of course, we also add straightforward elements -- a formal appreciation statement, donor names and giving levels, and inspirational quotes.
But often the silent language of the symbolism speaks as loudly to viewers as the literal words we carve into the surface of the crystal. This is because we choose symbols and images rich with associations to our cultural and spiritual history.
“Christina Amri fell into a different category than any of the other donor recognition companies I’m familiar with. Her work is so creative. When I first saw her art, I realized you can have so much more than just names on a wall.” --Mary Lou McCaa, University Hospital Foundation, University of Utah
A good example of how we design deep meaning into our art glass is our recent installation of a Donor Wall at Community Hospital of Monterey Peninsula. Let me show you that mural and walk you through why we chose the images and symbols you’ll see.
The process began when Amy Goodman, curator for the hospital’s extraordinary art collection, CEO Steve Packer (far right), Foundation head Al Alvarez (far left), and hospital Board members engaged in a very thoughtful dialogue with designer Arlene Rhoden and myself as artists.
This and most of the other photos in this post are by the talented Gabriel Harber
In this case, our Donor Wall needed to symbolize the dedication, skill and vision of the hospital staff as well as the caring, vision and generosity of its donors. The wall, to be situated in the main lobby of the building, also needed to set a positive and reassuring tone for patients and their families entering the hospital.
Thus, we chose to portray the serene, light-dappled waters of Monterey Bay. Water symbolizes healing (the hospital’s role), it is life-giving, it nourishes our body and spirit. Water is an important symbol in most spiritual beliefs, Western and Eastern alike. In the Judeo-Christian tradition, God is called "the fountain of living waters." In addition, water symbolizes wisdom (a reference to the skill of the medical staff).
At Community Hospital of Monterey Peninsula, water is also a key feature of the physical environment. Ponds and fountains provide refreshing and relaxing elements inside and outside the buildings. For all of these reasons, we chose to use an expanse of water as the background for our Donor Wall.
The theme of water was picked up again in the deep V-carved quote about generosity from Maya Angelou, words which span nearly the full width of the mural:
When we cast our bread upon the waters,we can presume that someone downstreamwhose face we will never knowwill benefit from our action,as we who are downstream from anotherwill profit from that grantor’s gift.
Next we wanted to bring in symbols signifying the latest scientific discoveries to express the hospital’s joint mission of compassionate care with cutting-edge medicine. Across the foot of the mural we added short columns of bars, which are stylized images of DNA fragments that have been separated and sorted by size, an essential first step in a creating a genetic profile of an individual.
These floating bars morph beautifully into the patterns of light dappling the sunlit waters. And, because DNA contains our inherited genetic code, this imagery also symbolizes the passing of gifts from one generation to another -- from the hospital’s community leaders and generous donors of the past to those of the future. Lastly, these bars or boxes serve to mirror the distinctive decorative features built into the hospital by its original architect, the renowned Edward Durell Stone.
On the left of the mural, we added the image of an egret spreading its wings either to land or take flight. Incorporating a living creature into the scene brought life, warmth, and a sense of scale to the Donor Wall. It helps viewers connect with the entire mural. Symbolically, birds stand for hope, an important subconscious message for patients and their families. Birds also soar, and the upward movement of the bird portrayed here implies the soaring of thought, spirit and imagination.
Because the egret is shown at the moment it breaks free in flight, it symbolizes Community Hospital’s role as a courageous agent of change and leadership. Immediately to the right, a 23-karat-gold-leafed quotation from local poet Robinson Jeffers ties in with the image:
Lend me the stone strength of the past
and I will lend you the wings of the future,
for I have them.
These inspiring words connect Community Hospital’s tremendous legacy of philanthropy with the promise of an innovative and hope-filled future. They speak to the importance of blending a strong foundation with visionary innovation. (All the quotations we used are from local figures and were collaboratively chosen with help from the hospital foundation. They all “speak to each other” within the design and help form the “graphic landscape.”)
Last of all, and I confess it will be hard to show you here, is the symbolism in the colors and timing of the lighting system we programmed. Soft, multicolored LEDs illuminate the crystal panels in a subtle four-minute cycle patterned after the 24-hour cycle of a day. It begins with the pinks and yellows of sunrise, moves into the brighter light of day, then softens into the turquoise of sunset and the cobalt blue of nighttime. (If you click on the side-by-side image above, you can best see the colors shift in the curving lines at the upper right.)The lighting never shuts off, just as the work of Community Hospital never ends. Both continue day and night, providing healing, inspiration and solace for all who visit.
Al Alvarez, Chief Development Officer of the Community Hospital Foundation, says that patients, staff and volunteers alike are often found standing reverently in front of the wall, “as if they were in church.”
True art, unlike mere graphics, works on many levels. It communicates explicitly and implicitly. It thanks, honors, recognizes, and acclaims. It inspires and it comforts. It touches on our shared history and points toward a mutual and positive future. This is our goal for every work of Donor Art that we create.
P.S. Jain Malkin, whose quote I used at the beginning of this post, is working with us right now on an amazing project. Stay tuned to see what we do with the interactive Kettering Tribute at the beautiful new Schuster Heart Hospital in Kettering, Ohio.Labels: Donor Walls, hospitals, Monterey, symbolism
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AUTHOR: Margot Silk Forrest
TITLE: We're in the News
DATE: 5/12/2010 10:48:00 PM
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We’re excited! We’ve just had our work featured in the May issue of Signs of the Times magazine. You can see the page online by clicking here.
Senior Associate Editor Steve Aust did a very nice piece – with photos -- on our Donor Recognition Wall in the Marriott Library at the University of Utah in Salt Lake City.
Signs of the Times, which has been publishing since 1906, aims to educate and inspire graphics and signage professionals worldwide. We're honored to be in their pages!
Labels: Donor Walls, Marriott Library, media coverage, universities
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AUTHOR: Margot Silk Forrest
TITLE: A Culture of Honoring, Part I
DATE: 4/26/2010 10:43:00 PM
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The aspect of my work that touches my heart most deeply is being part of what I call a culture of honoring. We are brought on board when a client wants to deeply thank and honor its donors for their generous support. But for many years now, our studio has innovated Donor Walls that go beyond a mere “accountant’s list” of the names of big, medium and smaller donors.
We understand that the entire community that contributes to an institution’s success needs to be honored. That why we weave into our artwork the institution’s identity -- you might say we "crystalize " the heart, mind and spirit of the organization -- along with the donors’ names.
The result is an Art Glass Mural that has something to interest every visitor who passes. At the University of Utah Hospital, for example, the Donor Wall (above) consists of beautifully etched and gold-leaf-filled leaves of their local aspen trees along with a gratitude statement, inspirational quotes and over 1200 donors’ names. Says Mary Lou McCaa, of the Hospital Foundation, “It’s wonderful when you go in the hospital and see people standing there staring at your Donor Wall. Just taking it all in.”
Detail from the Donor Wall at the University of Utah Hospital
We foster a culture of honoring within our own Studio by thanking and recognizing our team members. One way I do this is by adding the names of significant longtime individual contributors to our Amri Studio Wall of Honor, which is mounted in our graphic design room. The wall consists of 32 glass plaques. Deep, V-carved, copper- and gold-leaf-filled text highlights names, awards the Studio has won and inspiring quotations. As you can see, our Wall of Honor is designed so that it can easily be expanded with new names.
We pride ourselves on being a "turnkey" Studio that provides our clients with every service from initial consulting to design and fabrication through lighting, cabinetry and complete installation. Today I want to honor everyone whose work goes into getting our huge glass and crystal walls installed at the client’s site. These are the people who drive or fly with me all over the country to ensure that our Art Glass is carefully hung and lit. They are a multi-talented crew and they rarely get much public acknowledgment. I hope you’ll enjoy reading about them even a tenth as much as I enjoy working with them!
Before an installation even begins, we turn to our longtime cabinetmaker, Terry Holleman. Terry is a hugely talented individual who designs, engineers and makes all the custom hardwood and Corion/metal lami LED mounting brackets, cabinetry and wall surrounds for the crystal plaques and murals we create. He is the owner and lead designer for Holleman and Company Cabinetry in Sonoma, CA. He is also a gifted fine-art painter. You can see his work at his website.
As permanent as our Art Glass panels look once they are installed, they can actually be mounted in hidden swiveling steel brackets for ease of access when it’s time to add new donor names onto a second easily updated crystal or clear acrylic layer. I want to give special honoring to the man who has designed, prototyped and machined all of our specialty metal components over the years. Fred Oberti was a brilliant, funny and talented machinist and a true gentleman. He passed away this year and I sorely miss him. Even during his last illness Fred insisted on finishing a final important project with us. THANK YOU, FRED!
Fred’s swiveling brackets have to embrace an extra challenge because we use programmed LEDs to illuminate our Art Glass Walls. The hinges and other hardware that attach to the crystal panels must allow room for the LED wiring to run through them without impeding their function.
This brings me to our lighting wizard and electronic engineer, Tim Feldman, who has worked with us for decades. Tim creates custom-made strips of colored LED edgelights, which he can program to shift on a timed cycle or in response to the approach of a viewer. His work adds a whole new dimension to our carved and etched glass walls. Tim is the owner of Electric Algorithms in Davis, CA. He has created software and hardware for firms such as IDEO, eInstruction Corporation, D&P and Hewlett-Packard.
With the brackets milled, the hardware machined, and the lighting programmed, the final pieces are in place for an installation. Our on-site install team is led by Charly Rinn, a talented and successful millwork designer and fabricator in his own right, who has been my lead installer for over 16 years. Charly has worked with me on just about every major installation I’ve done.
He is the owner and founder of Exceptional Wood Products in Geyserville, CA. His firm does high-level, award-winning, contemporary and historic architectural woodwork, including stairs, molding, columns, wainscoting, cornices, door surrounds and cabinetry. Charly also designs and builds our custom shipping crates for the thousands of square feet of crystal panels we ship nationwide.
Joe and Charly at the installation for Community Hospital of Monterey Peninsula.Below, Joe and Christina Amri.
Charly has two assistants who work with him. Joe Delgado is a carpenter par excellence. In a past life Joe was a gourmet chef, so when we’re on the road, I put him in charge of finding places for us all to eat. (He’s a genius at decoding the menus in sushi restaurants.)
Installing the wood brackets on a Donor Wall at Marriott Library at the University of Utah
Another wonderful member of our install team is Jason Montgomery, a furniture maker based in Portland, OR. Jason is also a gifted musician who plays guitar and stand-up bass professionally. I am in awe of the multitalented folks I work with!
Charly and Tim in Monterey
We’ve made a recent addition to some of our install trips -- our talented new process photographer, Gabriel Harber of Oakland, CA, who gets some amazing shots of everything that goes on during an installation -- and of the folks who do it. He has a real gift for capturing the telling moment. Most of the photos in this post are Gabriel’s work.
These are the folks who make it possible for our carefully designed and carved crystal panels to be mounted in hospitals, universities, and businesses across the country. Their jobs aren’t always easy (like the day -- pictured above -- when temperatures of 17 below caused a water main to burst in the lobby of a hospital where they were installing a huge crystal mural), but they invariably handle everything that comes up with professionalism, grace and good-natured humor.
Donor Wall at the University of Virginia
Lastly, I want to honor Bob Davidson, who took on one of our first, largest and most complex installations: the University of Virginia School of Medicine. A talented artist, art professor, architect and contractor, Bob guided, engineered, ran and collaboratively supported all the initial growth at our Studio. He built our sandblasting booths, the racks that hold our huge panels of glass, our glass-moving trolley, and even our second-story mezzanine. Without Bob’s loving and generous support, his amazing creativity and his problem solving skills, our Studio would not be here today!
I thank you ALL for your talent and your heart. This loyal "band of brothers" has taught me everything I know about installation, enabling me to speak authoritatively to our clients. They have supported and admired the workmanship and art of our endeavor. And they have adventured with me through late-night airports big and small since we first expanded to creating truly large-scale Donor Walls 18 years ago. You are the best!
Labels: cabinetry, hospitals, installation, lighting, photography
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COMMENT:
AUTHOR:
DATE:4/27/2010 07:42:00 PM
I have know of your work for many years and had the opportunity to see first hand the beauty and grace that each convey to the public. Your group of talented minds and hands have created a lasting work of honor. Each artist in your pallet are unique one of a kind craftsman that you use so beautifully. I hope to see your geniuses in my neighborhood sometime. Fred is inovating new angle wings and swivel brackets for halo's I'm sure. Carry on the Culture of Honoring.
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Watercolor of St. Paul’s Cathedral by Thomas Hosmer Shepherd 
Christopher Wren’s plans for the dome of St. Paul’s 
And that’s what I’ll be thinking about in the coming two weeks as I rest, relax and refresh my energies for an exciting autumn in the Studio. We'll be back at work on Monday, August 9, ready to hear about your new projects!
Yesterday we finished a delicate, demanding, and very rewarding project: Relocating an extensive 20-foot-long, 8-foot-high crystal Donor Wall, which we created in 2002-2003, to the second story of the elegant and airy new lobby of the University of Utah Hospital’s vastly expanded patient care pavilion. 
In addition, we installed a “sister” Donor Wall (above) to honor the generous people who helped fund the new lobby. In creating this new wall, we used the same materials –- carved crystal and gold-leafing -– the same theme and the same design vocabulary so that the two walls would have artistic unity. 
The theme we carried over into the new Donor Wall is the aspen tree, which, besides being beloved in the Salt Lake City area, is symbolic of deep cooperation. A quotation on the original wall expresses it perfectly:
In fact, the original Donor Wall included the names of some 2,800 donors! Every single person who made a donation, from local philanthropists to the hospital janitor, was listed.
From left, Charly, Joe and Jason insert panels into custom brackets
We also did a moving job (no pun intended) on a Tribute we created in 2003 for George and Dolores Dore Eccles. The Tribute uses formal, contemporary photos of the donors etched into a carved crystal panel that floats over a second crystal panel, which shows a warm and inviting image of the couple dancing together when young. 
Note: The University of Utah Hospital’s new lobby is featured in a fascinating article in Medical Construction & Design magazine about the important role lobbies play in providing visitors with a warm and reassuring welcome. This is even more vital at the University of Utah Hospital, where some 10,000 people enter the lobby every day! 
Artwork for the Miami Alumni wall 
Their members, including our Studio, create environmental graphics such as donor recognition (like our 3-D crystal tribute to the Ginsburg family at Florida Hospital, above), wayfinding systems, architectural graphics, signage, exhibit design, and retail and store design.
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AUTHOR: Margot Silk Forrest
TITLE: Designing Deep Meaning Into Donor Art
DATE: 5/14/2010 12:10:00 AM
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BODY:
"Real art -- as opposed to decorative art -- touches the soul and reaches the viewer emotionally. It expresses energy, life force, and has deep spiritual meaning that can help the viewer transform pain and suffering to reach a higher state of consciousness."
But often the silent language of the symbolism speaks as loudly to viewers as the literal words we carve into the surface of the crystal. This is because we choose symbols and images rich with associations to our cultural and spiritual history. 
A good example of how we design deep meaning into our art glass is our recent installation of a Donor Wall at Community Hospital of Monterey Peninsula. Let me show you that mural and walk you through why we chose the images and symbols you’ll see.
Thus, we chose to portray the serene, light-dappled waters of Monterey Bay. Water symbolizes healing (the hospital’s role), it is life-giving, it nourishes our body and spirit. Water is an important symbol in most spiritual beliefs, Western and Eastern alike. In the Judeo-Christian tradition, God is called "the fountain of living waters." In addition, water symbolizes wisdom (a reference to the skill of the medical staff). 
Next we wanted to bring in symbols signifying the latest scientific discoveries to express the hospital’s joint mission of compassionate care with cutting-edge medicine. Across the foot of the mural we added short columns of bars, which are stylized images of DNA fragments that have been separated and sorted by size, an essential first step in a creating a genetic profile of an individual. 
These floating bars morph beautifully into the patterns of light dappling the sunlit waters. And, because DNA contains our inherited genetic code, this imagery also symbolizes the passing of gifts from one generation to another -- from the hospital’s community leaders and generous donors of the past to those of the future. Lastly, these bars or boxes serve to mirror the distinctive decorative features built into the hospital by its original architect, the renowned Edward Durell Stone.
Because the egret is shown at the moment it breaks free in flight, it symbolizes Community Hospital’s role as a courageous agent of change and leadership. Immediately to the right, a 23-karat-gold-leafed quotation from local poet Robinson Jeffers ties in with the image:
Last of all, and I confess it will be hard to show you here, is the symbolism in the colors and timing of the lighting system we programmed. Soft, multicolored LEDs illuminate the crystal panels in a subtle four-minute cycle patterned after the 24-hour cycle of a day. It begins with the pinks and yellows of sunrise, moves into the brighter light of day, then softens into the turquoise of sunset and the cobalt blue of nighttime. (If you click on the side-by-side image above, you can best see the colors shift in the curving lines at the upper right.)The lighting never shuts off, just as the work of Community Hospital never ends. Both continue day and night, providing healing, inspiration and solace for all who visit. 
Al Alvarez, Chief Development Officer of the Community Hospital Foundation, says that patients, staff and volunteers alike are often found standing reverently in front of the wall, “as if they were in church.” 
The result is an Art Glass Mural that has something to interest every visitor who passes. At the University of Utah Hospital, for example, the Donor Wall (above) consists of beautifully etched and gold-leaf-filled leaves of their local aspen trees along with a gratitude statement, inspirational quotes and over 1200 donors’ names. Says Mary Lou McCaa, of the Hospital Foundation, “It’s wonderful when you go in the hospital and see people standing there staring at your Donor Wall. Just taking it all in.”
Detail from the Donor Wall at the University of Utah Hospital
We foster a culture of honoring within our own Studio by thanking and recognizing our team members. One way I do this is by adding the names of significant longtime individual contributors to our Amri Studio Wall of Honor, which is mounted in our graphic design room. The wall consists of 32 glass plaques. Deep, V-carved, copper- and gold-leaf-filled text highlights names, awards the Studio has won and inspiring quotations. As you can see, our Wall of Honor is designed so that it can easily be expanded with new names.
We pride ourselves on being a "turnkey" Studio that provides our clients with every service from initial consulting to design and fabrication through lighting, cabinetry and complete installation. Today I want to honor everyone whose work goes into getting our huge glass and crystal walls installed at the client’s site. These are the people who drive or fly with me all over the country to ensure that our Art Glass is carefully hung and lit. They are a multi-talented crew and they rarely get much public acknowledgment. I hope you’ll enjoy reading about them even a tenth as much as I enjoy working with them!
Before an installation even begins, we turn to our longtime cabinetmaker, Terry Holleman. Terry is a hugely talented individual who designs, engineers and makes all the custom hardwood and Corion/metal lami LED mounting brackets, cabinetry and wall surrounds for the crystal plaques and murals we create. He is the owner and lead designer for Holleman and Company Cabinetry in Sonoma, CA. He is also a gifted fine-art painter. You can see his work at his website.
As permanent as our Art Glass panels look once they are installed, they can actually be mounted in hidden swiveling steel brackets for ease of access when it’s time to add new donor names onto a second easily updated crystal or clear acrylic layer. I want to give special honoring to the man who has designed, prototyped and machined all of our specialty metal components over the years. Fred Oberti was a brilliant, funny and talented machinist and a true gentleman. He passed away this year and I sorely miss him. Even during his last illness Fred insisted on finishing a final important project with us. THANK YOU, FRED!
This brings me to our lighting wizard and electronic engineer, Tim Feldman, who has worked with us for decades. Tim creates custom-made strips of colored LED edgelights, which he can program to shift on a timed cycle or in response to the approach of a viewer. His work adds a whole new dimension to our carved and etched glass walls. Tim is the owner of Electric Algorithms in Davis, CA. He has created software and hardware for firms such as IDEO, eInstruction Corporation, D&P and Hewlett-Packard.
With the brackets milled, the hardware machined, and the lighting programmed, the final pieces are in place for an installation. Our on-site install team is led by Charly Rinn, a talented and successful millwork designer and fabricator in his own right, who has been my lead installer for over 16 years. Charly has worked with me on just about every major installation I’ve done.
Joe and Charly at the installation for Community Hospital of Monterey Peninsula.
Charly has two assistants who work with him. Joe Delgado is a carpenter par excellence. In a past life Joe was a gourmet chef, so when we’re on the road, I put him in charge of finding places for us all to eat. (He’s a genius at decoding the menus in sushi restaurants.)
Installing the wood brackets on a Donor Wall at Marriott Library at the University of Utah
Another wonderful member of our install team is Jason Montgomery, a furniture maker based in Portland, OR. Jason is also a gifted musician who plays guitar and stand-up bass professionally. I am in awe of the multitalented folks I work with!
Charly and Tim in Monterey
We’ve made a recent addition to some of our install trips -- our talented new process photographer, Gabriel Harber of Oakland, CA, who gets some amazing shots of everything that goes on during an installation -- and of the folks who do it. He has a real gift for capturing the telling moment. Most of the photos in this post are Gabriel’s work.
These are the folks who make it possible for our carefully designed and carved crystal panels to be mounted in hospitals, universities, and businesses across the country. Their jobs aren’t always easy (like the day -- pictured above -- when temperatures of 17 below caused a water main to burst in the lobby of a hospital where they were installing a huge crystal mural), but they invariably handle everything that comes up with professionalism, grace and good-natured humor.
Donor Wall at the University of Virginia
DATE:4/27/2010 07:42:00 PM
I have know of your work for many years and had the opportunity to see first hand the beauty and grace that each convey to the public. Your group of talented minds and hands have created a lasting work of honor. Each artist in your pallet are unique one of a kind craftsman that you use so beautifully. I hope to see your geniuses in my neighborhood sometime. Fred is inovating new angle wings and swivel brackets for halo's I'm sure. Carry on the Culture of Honoring.
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